[Burlesquercise News] Legal Workshop for Performers! (6/30) http://ezezine.com PERFORMANCE IS BUSINESS Legal Basics for Independent Performers Today performers of all kinds – actors, dancers, musicians – have more opportunities than ever to develop and display their skills and art... but that means they also have more challenges. Artists and performers have always been the victims of the entertainment business – and yet, without them there is no business. Today, a successful artist is not only one who excels in their art; she is also someone who manages the business in a way that allows them to go on creating and performing. There is no mystery to the business side of entertainment. It’s about applying common sense rules and developing the knowledge, skills and discipline to get the rules applied. But like every business, you have to learn what those rules and how to use them. This workshop will provide the answers! * How to set up your performing business. * Identify and learn how to protect your assets. * How to keep the revenue flowing. * Find out what copyright law is and how you can use to protect to do what you do. * How to deal with business partners and customers. * What are the common problems and mistakes and how to deal with them. This workshop is hosted by Bombshell Betty, burlesque entrepreneur and producer, and the main speaker is Nic Garnett. Saturday, June 30, 2-4pm Bombshell Betty's 715 Bryant Street #102 @ 5th Street in San Francisco http://www.bombshellbetty.net $10 in advance, $15 at the door. Space is limited, so pre-registration is highly recommended. Click here to register: http://tinyurl.com/2xfpau ABOUT NIC GARNETT: Nic is an internationally recognized expert on copyright law, rights management and right management technologies. He is also performing jazz musician, playing trumpet and keyboards. Nic was educated at Cambridge University in the UK and Bordeaux University in France. He began his career as a copyright attorney with a leading law firm in London. He then went to Bordeaux University to teach English Law and study French Law. From 1983 to 1999 Nic worked for the global trade association of the record industry, IFPI, first as its Regional Director for Asia/ Pacific (based in Singapore) then as its CEO and Director General based in London. His job was to look after the management and protection of the rights of record labels worldwide: fighting piracy; lobbying or new laws; dealing with new technologies etc. etc. A job with a technology firm in Santa Clara brought Nic to the US in September 1999 when he became an SVP with InterTrust Technologies, the patent holder in the digital rights management technology space. Nic spent 2 ½ years there before deciding to set up his own consulting practice, Interight: http://www.interight.com These days Nic advises a wide range of clients from tech and media companies to governments and international organizations on rights management and technology. Clients in recent years have included: * The UK Government * World Intellectual Property Organization * Sony Music * AOL * Tsinghua TongFang (China’s leading PC manufacturer) Nic’s view of rights management is that creativity starts with the individual and rights should be managed accordingly. However big the enterprise, without the composer, the writer, the performer, there is nothing to protect. His own experience as a performer has reinforced this approach.